A new film project is set to shine a light on the vibrant yet tumultuous history of South Africa’s LGBTQ community during the Apartheid era. Titled “Granny Lee,” this feature film will begin production in Johannesburg in April 2025, promising to deliver a poignant narrative that intertwines personal struggle with broader societal issues.
At the heart of the story is Granny Lee, a real-life figure who became a beacon of hope and resilience in the underground disco scene of the 1980s. This period was marked not only by the oppressive regime of Apartheid but also by the devastating impact of the HIV/AIDS epidemic. The film will explore how Granny Lee navigated these challenges while providing support to a grieving mother, guiding her through the complexities of Johannesburg’s LGBTQ underground.
Soli Philander, a prominent figure in South African entertainment, will take on the role of Granny Lee. His casting is a significant step toward authentic representation, as Philander has been an advocate for LGBTQ rights and visibility in the arts. Alexandra Billings, a well-known transgender actress and activist, will serve as an executive producer through her production company, Schmengie. Billings’ involvement adds another layer of credibility and commitment to the project, ensuring that it is approached with sensitivity and respect for the community it portrays.
The film is directed by the father-son duo Ian and Gabe Gabriel, who bring a wealth of experience to the project. Ian Gabriel’s previous work includes “Four Corners,” South Africa’s Oscar submission, which provides him with a deep understanding of the cultural and historical context of the story. Gabe Gabriel, who penned the screenplay, has established himself as a champion for LGBTQ filmmakers in South Africa, further enhancing the film’s authenticity.
“Granny Lee” is not just a standalone project; it represents a collaborative effort among various production companies across South Africa, Canada, and Ireland. Known Associates Entertainment, led by Tshepiso Chikapa-Phiri and Joel Chikapa-Phiri, is spearheading the South African side of the production. Their previous work includes “Death of a Whistleblower,” which premiered at the Toronto International Film Festival. Fae Pictures, known for its award-winning film “Framing Agnes,” is representing Canadian interests, while Peripheria, recognized for producing Ivory Coast’s Oscar submission “Night of the Kings,” joins as a co-producer. This international collaboration is a testament to the film’s ambition and the importance of the story it seeks to tell.
The project is also significant as it aims to be the first film produced under the newly modernized co-production treaty between Canada and South Africa, signed at MIP Africa in September. This treaty is expected to facilitate greater collaboration between the two countries, allowing for more diverse storytelling and representation in the film industry.
As the production gears up, casting is underway for the role of Irene, the mother who plays a crucial part in Granny Lee’s journey. The casting director, Jessica Kelly, is tasked with finding the right actress to embody this pivotal character, ensuring that the film captures the emotional depth of the narrative.
“Granny Lee” has already garnered attention at the BFI London Film Festival, where it participated in the Production Finance Market, attracting potential financiers and collaborators. This early interest underscores the film’s potential impact and the importance of its subject matter.
In a world where representation matters more than ever, “Granny Lee” promises to be a groundbreaking film that not only honors the legacy of its titular character but also sheds light on the struggles and triumphs of the LGBTQ community in South Africa. As the film moves closer to production, it stands as a reminder of the power of storytelling to inspire change and foster understanding across cultures.